Filed under Events

2/15: Kate Bornstein, Camille Roy, Kaplan Harris

TENDENCIES: Poetics & Practice

presents poetics/practices/manifestos by:
KATE BORNSTEIN
CAMILLE ROY
KAPLAN HARRIS

Wednesday, February 15 at 7 PM
in the Martin E. Segal Theatre,
CUNY Graduate Center, 365 Fifth Avenue, NYC

What are the new poetics and the new manifestos? What do authors actually do when they write, and what can be learned from their investigations? This series of talks on queer poetics, titled in honor of Eve Kosofsky Sedgwick, explores the relationship between queer writing/artmaking process, pedagogy, and the manifesto.

Kate Bornstein is a performance artist, college & high school lecturer, and advocate for teens, freaks, and other outlaws. She has written several award-winning books in the field of Women and Gender Studies, including Gender Outlaw and My Gender Workbook (an updated edition is forthcoming in 2012). Her 2006 book, Hello, Cruel World is an underground best seller. May 1st sees the release of her first memoir, A Queer and Pleasant Danger, from Beacon Press. She has earned two citations of honor from the New York City Council and garnered praise from civil rights groups around the globe.

Camille Roy is a writer and performer. Her most recent book is Sherwood Forest, from Futurepoem. Earlier books include Cheap Speech, a play, from Leroy, and Craquer, a fictional autobiography from 2nd Story Books, as well as Swarm (two novellas, Black Star Series), among others. She co-edited Biting The Error: Writers Explore Narrative (CoachHouse 2005, re-issued 2010). Roy has taught creative writing at San Francisco State University, California State University SummerArts, and Naropa.

Kaplan Harris is writing a history of Bay Area poetry & activism in the wake of the New Left. His recent work is found in American Literature, Contemporary Literature, Jacket, Jacket2, Open Letter, Paideuma, The Poetry Project Newsletter, Postmodern Culture, and Wild Orchids. He is also editing, with Peter Baker & Rod Smith, The Selected Letters of Robert Creeley for the University of California Press. He lives in Buffalo, NY.

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TENDENCIES: Poetics & Practice is curated by Tim Trace Peterson

All events are co-sponsored by the Center for the Humanities, the Center for Lesbian and Gay Studies (CLAGS), The Graduate Center Ph.D. Program in English, and the GC Poetics Group

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11/21: Robert Reid-Pharr, Stephen Motika, Samuel Ace

TENDENCIES: Poetics & Practice
presents talks/manifestos by

ROBERT REID-PHARR

STEPHEN MOTIKA

SAMUEL ACE

…followed by a discussion/Q&A

November 21
at 7 PM
Free admission

at CUNY Graduate Center
in the Skylight Room (9100)
365 Fifth Avenue, NYC

What are the new poetics and the new manifestos? What do authors actually do when they write, and what can be learned from their investigations? This series of talks on queer poetics, titled in honor of Eve Kosofsky Sedgwick, explores the intersection of queer writing, the manifesto, poetic practice, and pedagogy.

A Distinguished and Presidential Professor of English and American Studies at the Graduate Center of the City University of New York, ROBERT FITZGERALD REID-PHARR holds a Ph.D. in American Studies from Yale University and a B.A. in Political Science from the University of North Carolina at Chapel Hill. Before coming to the Graduate Center he was an assistant and associate professor of English at the Johns Hopkins University. In addition, he has been the Edward Said Visiting Chair of American Studies at the American University of Beirut, the Drue Heinz Visiting Professor of English at the University of Oxford, the Carlisle and Barbara Moore Distinguished Visiting Professor of English at the University of Oregon, and the Frederic Ives Carpenter Visiting Assistant Professor of English at the University of Chicago. A specialist in African American culture and a prominent scholar in the field of race and sexuality studies, he has published three books and numerous articles in, among other places, American Literature, American Literary History, Callaloo, Afterimage, Small Axe, The Chronicle of Higher Education, Women and Performance, Social Text, Transition, Studies in the Novel, The African American Review, and Radical America. His research and writing have been supported by grants from the Ford Foundation, the Mellon Foundation, the National Endowment for the Humanities, and the Alexander von Humboldt Foundation. He lives in Brooklyn.

STEPHEN MOTIKA is the editor of Tiresias: The Collected Poems of Leland Hickman (2009) and the author of the poetry chapbooks Arrival and At Mono (2007) and In the Madrones (2011). His first book, Western Practice, is forthcoming from Alice James Books in Spring 2012. Recent work has appeared in The Brooklyn Review, Eleven Eleven, The Boog City Reader 4, and The Poetry Project Newsletter. The Field, his collaboration with visual artist Dianna Frid, was on view at Gallery 400 at the University of Illinois, Chicago, in 2003. A 2010-20122 Lower Manhattan Cultural Council Workspace Resident, he is currently the program director at Poets House and publisher of Nightboat Books.

SAMUEL ACE has published widely in periodicals and journals, including Ploughshares, EOAGH, Nimrod, The Prose Poem, an International Journal, and the Kenyon Review. He is the author of three collections of poetry: Stealth, co-authored with Maureen Seaton (Chax Press), Normal Sex (Firebrand Books) and Home in three days. Don’t wash. (Hard Press). He is a two-time finalist for a Lambda Literary Award in Poetry, a recipient of a New York Foundation for the Arts grant, winner of the Astraea Lesbian Writer’s Fund Prize in Poetry, The Katherine Anne Porter Prize for Fiction and the Firecracker Alternative Book Award in poetry. He currently lives in Tucson, AZ and Truth or Consequences, NM.

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TENDENCIES: Poetics & Practice is curated by Tim Peterson (Trace). All events are co-sponsored by the Center for the Humanities, the Center for Lesbian and Gay Studies (CLAGS), the Ph.D. Program in English, and the GC Poetics Group.

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10/20: Joy Ladin, Sarah Dowling, Tony Leuzzi

The fall 2011 series continues with talks by:

Joy Ladin
Sarah Dowling
Tony Leuzzi

…followed by a discussion/Q&A session.

on Thursday, October 20
at 7 PM
free admission
at CUNY Graduate Center
(in the Skylight Room, 9100)
365 Fifth Avenue, NYC

Joy Ladin, David and Ruth Gottesman Professor of English at Stern College of Yeshiva University, is the author of Soldering the Abyss:  Emily Dickinson and Modern American Poetry (VDM), five books of poetry, including Coming to Life (winner of a 2010 Forward Fives award) and Transmigration (a 2009 Lambda Literary Award finalist).  A new collection, The Definition of Joy, is due out from Sheep Meadow in spring 2012; her autobiographical reflections on gender transition, Through the Door of Life:  A Jewish Journey Between Genders, will be published by University of Wisconsin Press around the same time.  Her poetry, her criticism, and her essays on gender identity have been widely published.

Sarah Dowling is the author of Security Posture, which was recipient of the Robert Kroetsch Award for Innovative Poetry (2009). A Ph.D. candidate at the University of Pennsylvania, Sarah has published critical essays in GLQ and Canadian Literature. Her poetry has appeared in EOAGH, P-Queue, and West Coast Line, and is included in the anthology I’ll Drown My Book: Conceptual Writing by Women. Sarah curates the Emergency Reading Series, and is international editor at Jacket2.

Tony Leuzzi lives in Rochester, NY, where he teaches literature and composition.  He is the author three books of poems: Tongue-Tied and Singing (Foothills, 2004); Radiant Losses (New Sins press 2010); and Fake Book (forthcoming in Fall 2011 from Anything Anymore Anywhere).  His poems and prose have seen print in a number of small press, academic, and literary journals, including Perigree, Sentence, EOAGH, Jacket, The Kenyon Review, and others.  In Fall 2012, BOA Editions will release his book of interviews with twenty American poets.

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TENDENCIES: Poetics & Practice is curated by Tim Peterson (Trace). This event is co-sponsored by the Center for the Humanities, the Center for Lesbian and Gay Studies (CLAGS), the Ph.D. Program in English, and the GC Poetics Group

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9/23: Kate Rushin, Cyrus Cassells, Sara Jane Stoner

The fall 2011 series begins with talks by:

Kate Rushin
Cyrus Cassells
Sara Jane Stoner

…followed by a discussion/Q&A session.

on Friday, September 23
at 7 PM
free admission
at CUNY Graduate Center
(in the Skylight Room, 9100)
365 Fifth Avenue, NYC

 

Kate Rushin is the author of The Black Back-Ups (Firebrand Books) and “The Bridge Poem.” She received an M.F.A. in Creative Writing from Brown University and fellowships from Cave Canem and The Fine Arts Work Center in Provincetown. She began teaching as Poet-in-Residence at South Boston High. She has taught at MIT, Brown and Wesleyan. Her work has appeared in Callaloo and Stone Canoe 5. Kate Rushin was a member of the New Words Bookstore Collective in Cambridge, MA and Boston Women’s Community Radio which produced the annual 24-hour International Women’s Day Broadcast. She was also part of The Audre Lorde I Am Your Sister Conference

Cyrus Cassells‘ poetry has received a Lambda Literary Award, a Lannan Literary Award, the William Carlos Williams Award, and a Pushcart Prize. His fifth book, The Crossed-Out Swastika, will be published by Copper Canyon in March 2012; Still Life with Children: Selected Poems of Francesc Parcerisas is forthcoming from Tupelo Press. A Professor of English at Texas State University-San Marcos, he lives in Austin and Santa Fe.

Sara Jane Stoner is a writer, performer, and teacher at Brooklyn College and The Cooper Union. She has an MFA in Fiction from Indiana University and is currently a PhD student in English at CUNY Graduate Center. Her writing and criticism can be found in DIAGRAM and the Poetry Project Newsletter, among other places. Currently she is working on a book of ekphrastic fictions based on the life, paintings, and critical writings of Piet Mondrian, and an autocritical novella on the pleasures of myopia, detail, and objecthood.

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5/9: Mary Baine Campbell, Paul Foster Johnson, and Ronaldo V. Wilson

The next event features talks by:

Mary Baine Campbell
Paul Foster Johnson
Ronaldo V. Wilson

…followed by a discussion/Q&A session.

on Monday, May 9
at 7 PM
at CUNY Graduate Center
(in the Skylight Room, 9100)
365 Fifth Avenue, NYC

Free Admission to the Public

MARY BAINE CAMPBELL is the author of two books of poetry, The World, the Flesh, and Angels, which won the Barnard New Women Poets Prize, and Trouble. She has recently finished in collaboration with a French painter and translator a book of poems, paintings and translations in the form of one of those make-a-monster books for kids where the pages are cut into parts that turn separately. She is also the author of two scholarly books, The Witness and the Other World, and Wonder and Science, and teaches medieval and early modern literature and culture at Brandeis University.

PAUL FOSTER JOHNSON is the author of Study in Pavilions and Safe Rooms (Portable Press at Yo-Yo Labs) and Refrains/Unworkings (Apostrophe Books). With E. Tracy Grinnell, he is the author of the g-o-n-g press chapbook Quadriga. His poems have appeared in The Awl, Jacket, Cannot Exist, GAM, EOAGH, Fence, and Octopus. From 2003 to 2006, he curated the Experiments and Disorders reading series at Dixon Place. He is an editor at Litmus Press and lives in New York.

RONALDO V. WILSON is the author of Narrative of the Life of the Brown Boy and the White Man (University of Pittsburgh, 2008), winner of the 2007 Cave Canem Poetry Prize and Poems of the Black Object (Futurepoem Books, 2009), winner of the Thom Gunn Award for Gay Poetry, and the Asian American Literary Award in Poetry in 2010. Co-founder of the Black Took Collective, Wilson is currently a full time Visiting Assistant Professor at Mount Holyoke College, and recent guest faculty at The Millay Colony, The Poetry Project at St. Mark’s Church, and the Jack Kerouac School of Disembodied Poetics, Naropa University.

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TENDENCIES: Poetics & Practice is curated by Tim Peterson (Trace). All events are co-sponsored by the Center for the Humanities, CLAGS (the Center for Lesbian and Gay Studies), The Graduate Center PhD Program in English, and the GC Poetics Group.

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4/4: Jack Halberstam, Rob Halpern, and Brenda Iijima

The next event features talks by:

Jack Halberstam
Rob Halpern
Brenda Iijima

…followed by a discussion/Q&A session.

on Monday, April 4
at 7 PM
at CUNY Graduate Center
(in the Skylight Room, 9100)
365 Fifth Avenue, NYC

Free Admission to the Public

JUDITH “JACK” HALBERSTAM is Professor of English and Gender Studies at USC. Halberstam works in the areas of popular, visual and queer culture with an emphasis on subcultures. Halberstam’s first book was Skin Shows: Gothic Horror and the Technology of Monsters (1995), a study of popular gothic cultures of the 19th and 20th centuries. Her 1998 book, Female Masculinity (1998), made a ground breaking argument about non-male masculinity and tracked the impact of female masculinity upon hegemonic genders. Halberstam’s last book, In a Queer Time and Place: Transgender Bodies, Subcultural Lives (2005), described and theorized queer reconfigurations of time and space in relation to subcultural scenes and the emergence of transgender visibility. Halberstam has a new book due out from Duke UP in the fall titled THE QUEER ART OF FAILURE.

ROB HALPERN has written several books of poetry, including Rumored Place (Krupskaya 2004), and Disaster Suites (Palm Press 2009). Music for Porn is forthcoming (Nightboat Books, 2011). With Taylor Brady, he also co-authored Snow Sensitive Skin (Atticus/Finch 2007), which will soon be reissued by Displaced Press in an expanded edition. Currently, he’s co-editing the poems of the late Frances Jaffer, together with Kathleen Fraser, and translating the early essays of Georges Perec, the second of which, “Commitment or the Crisis of Language,” recently appeared in the Review of Contemporary Fiction with an essay of his own on Perec. An active participant in the Nonsite Collective, Rob lives in San Francisco and Ypsilanti, Michigan.

BRENDA IIJIMA is the author of Around Sea (O Books), Animate, Inanimate Aims (Litmus Press), revv. you’ll-ution (Displaced Press) and If Not Metamorphic (Ahsahta Press) as well as numerous chapbooks and artist’s books. She is also the editor of the eco language reader (Nightboat Books and PP@YYL). Currently she is working on a body of work titled Some Simple Things Said By and About Humans-a chronicle of how humans have used animals as surrogates. She is the editor of Portable Press at Yo-Yo Labs (http://yoyolabs.com/).

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TENDENCIES: Poetics & Practice is curated by Tim Peterson (Trace). All events are co-sponsored by the Center for the Humanities, CLAGS (the Center for Lesbian and Gay Studies), The Graduate Center PhD Program in English, and the GC Poetics Group.

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3/28: Barbara Hammer, Maggie Nelson, and Janlori Goldman

The next event features talks by:

Barbara Hammer
Maggie Nelson
Janlori Goldman

…followed by a discussion/Q&A session.

on Monday, March 28
at 7 PM
at CUNY Graduate Center
(in the Skylight Room, 9100)
365 Fifth Avenue, NYC

Free Admission to the Public

Barbara Hammer is a visual artist working primarily in film and video and has made over 80 works in a career that spans 30 years. She is considered a pioneer of queer cinema. Her documentaries tell the stories of marginalized peoples who have been hidden from history and are often essay films that are multi-leveled and engage audiences viscerally and intellectually with the goal of activating them to make social change. Her memoir, HAMMER! Making Movies out of Sex and Life was recently published by the Feminist Press at CUNY in 2010 and coincided with a retrospective at The Museum of Modern Art in New York City. the Reina Sophia in Madrid, and the Tate Modern in London. She teaches each summer at The European Graduate School in Saas-Fee, Switzerland. She lives and works in New York City.

Maggie Nelson is a poet, memoirist, critic, and scholar. She is the author of four books of nonfiction, The Art of Cruelty: A Reckoning (Norton, 2011), Bluets (Wave Books, 2009), Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007), and The Red Parts: A Memoir (Free Press, 2007; named a Notable Book of the Year by the State of Michigan), and four books of poetry, Something Bright, Then Holes (Soft Skull Press, 2007), Jane: A Murder (Soft Skull, 2005; finalist, the PEN/ Martha Albrand Award for the Art of the Memoir), The Latest Winter (Hanging Loose Press, 2003) and Shiner (2001). She is the recipient of a 2008 Arts Writers grant from Creative Capital, a 2010 Guggenheim Fellowship in Nonfiction, and a 2011 NEA grant in poetry. Since 2005, she has taught on the faculty of the School of Critical Studies at CalArts. She lives in Los Angeles.

Janlori Goldman is a poet, civil rights activist, and teacher at Columbia University’s School of Public Health. She also works with Columbia’s Program in Narrative Medicine. After nearly 20 years in Washington D.C. pressing for laws to protect peoples’ privacy, she moved to New Work City to teach and study poetry at Sarah Lawrence College. Her poems have been published in a number of journals, including Mudlark, Connotation Press, The Cortland Review, The Mom Egg, and, forthcoming, in Calyx. Other essays and articles have appeared in health journals, U.S. Congressional testimony, and books. She lives in NYC with her teenage daughter, and her sweetheart.

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TENDENCIES: Poetics & Practice is curated by Tim Peterson (Trace). For additional information, visit the Tendencies website.

All events are co-sponsored by the Center for the Humanities, CLAGS (the Center for Lesbian and Gay Studies), The Graduate Center PhD Program in English, and the GC Poetics Group.

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3/9: Chris Nealon, Ana Bozicevic, Astrid Lorange & Gregory Laynor

The next event features talks by:
Chris Nealon
Ana Bozicevic
Astrid Lorange & Gregory Laynor
…followed by a discussion/Q&A session.

on Wednesday, March 9
at 7 PM
FREE
at CUNY Graduate Center
(in the Skylight Room, 9100)
365 Fifth Avenue, NYC

Chris Nealon is the author of two books of criticism, Foundlings: Lesbian and Gay Historical Emotion before Stonewall (Duke UP, 2001), and The Matter of Capital: Poetry and Crisis in The American Century (Harvard UP, 2011), and two books of poetry, The Joyous Age (Black Square Editions, 2004), and Plummet (Edge Books, 2009). He lives in Washington, DC, and teaches in the English Department at Johns Hopkins University.

Ana Bozicevic was born in Zagreb, Croatia in 1977, and emigrated to New York in 1997. Her first book of poems is Stars of the Night Commute (Tarpaulin Sky Press, 2009), a Lambda Literary Award in Poetry finalist. In fall 2010 she was a keynote at the Atlanta Queer Literary Festival, and recent work appeared in the Academy of American Poets’ Poem a Day series, Octopus Magazine, Tarpaulin Sky and The Awl. These days she’s writing her second book & translating Croatian and Serbian poets. With Amy King, she co-edits the journal esque.

Astrid Lorange is a PhD candidate at the University of Technology, Sydney, and currently a visiting scholar at the University of Pennsylvania. She researches Gertrude Stein, philosophy of science and contemporary poetics. Her books include Eating and Speaking (forthcoming March 2011 with Tea Party Republicans Press), Minor Dogs (forthcoming mid-2011 with bas-books) and Pussy Pussy Pussy What What or Au Lait Day Au Lait Day (published online at Gauss-PDF). She lives between Philadelphia and Sydney.

Gregory Laynor is a poet working on a PhD at the University of Washington in Seattle. He studied & taught at Temple University in Philadelphia. His reading of Gertrude Stein’s The Making of Americans appears on UbuWeb and his poems appear in EOAGH and other places. He does a blog at academicpoetry.com. He is co-editing for Chax Press the Selected Writings of the Philadelphia poet Gil Ott.

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TENDENCIES: Poetics & Practice is curated by Tim Peterson (Trace). For additional information, visit the Tendencies website.

All events are co-sponsored by the Center for the Humanities, CLAGS (the Center for Lesbian and Gay Studies), The Graduate Center PhD Program in English, and the GC Poetics Group.

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2/09/11: Ira Sachs, Sarah Sarai, and Christopher Schmidt

Sachs, Sarai, and Schmidt

The next event features talks by:
Ira Sachs
Sarah Sarai
Christopher Schmidt
…followed by a discussion/Q&A session.

on Wednesday, February 9
at 7 PM
at CUNY Graduate Center
(in the Skylight Room, 9100)
365 Fifth Avenue, NYC

Free Admission

Ira Sachs is a filmmaker based in New York City. His work includes Married Life (2007), The Delta (1997), and Forty Shades of Blue, winner of the Grand Jury Prize for Dramatic Film at the 2005 Sundance Film Festival. A recipient of a Rockefeller Fellowship for Media Arts, Sachs is an Adjunct Professor in the MFA Program in Film at New York University, and is a fellow at both the MacDowell Colony and Yaddo. His most recent short film, Last Address, premiered at the 2010 Sundance and Berlin Film Festivals, and has been shown at White Columns, Tate Modern, the Whitney, and the New Museum. Sachs is presently working on two films, The Goodbye People, co-written with Oren Moverman and adapted from the fiction of screenwriter and novelist Gavin Lambert, and Keep the Lights On, an autobiographical film set in New York during the last decade. He is the founder and co-curator of Queer/Art/Film, a monthly series held at the IFC Center in New York.

Writer Sarah Sarai is the author of the collection The Future Is Happy (BlazeVOX [books]). Her poetry appears in Threepenny Review, Parthenon West, Mississippi Review. Columbia Review, Pank, Eleven Eleven, EOAGH, and many others. A new chapbook is forthcoming from Loose Gravel Press. Her fiction appears in the journals South Dakota Review, Fairy Tale Review, Tampa Review, Storyglossia. She has an M.F.A. in fiction from Sarah Lawrence College, and while she’s taught writing at Antioch/Seattle, Fordham, Pace, BMCC/CUNY-and St. Mathias High School, for girls, in Los Angeles, she makes her living outside the academy, copyediting in ad agencies. Her grants (Seattle and King County Arts Commission) and fellowship (National Endowment for the Humanities) date back to another millennium, as does her theology.

Writer Christopher Schmidt is the author of The Next in Line, winner of the Slope Editions Book Prize (2008). His poems, lyric essays, and reviews have appeared in Tin House, Boston Review, The Village Voice, Court Green, La Petite Zine, SubStance, Satellite Convulsions, My Diva, and Best Gay Stories 2009, and are forthcoming in EOAGH. An Assistant Professor of English at LaGuardia Community College, CUNY, he has also taught at University of Michigan, Bard College, and Brooklyn College. He is currently completing a critical study on the influence of waste in 20th-century poetics.

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TENDENCIES: Poetics & Practice is curated by Tim Peterson (Trace). For additional information, visit the Tendencies website.

All events are co-sponsored by the Center for the Humanities, CLAGS (the Center for Lesbian and Gay Studies), The Graduate Center PhD Program in English, and the GC Poetics Group.

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12/09/10: Abigail Child, Michael D. Snediker, and Timothy Liu

The next event features talks by:

Abigail Child
Michael D. Snediker
Timothy Liu

…followed by a Q&A/discussion.

on Thursday, December 9
at 7 PM
FREE

at CUNY Graduate Center
(in the Skylight Room, 9100)
365 Fifth Avenue, NYC

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Abigail Child is a film/video artist and writer. Her montage pushes the envelope of sound-image relations, exploring gesture as language, and creating strategies to rewrite narrative. She has recently exhibited multi-screen installations at The Walker Museum and Harvard University among others. Child has had retrospectives nationally and internationally; her art is in the permanent collection of MoMA, NY and Centre Pompidou, Paris. Harvard Film Center has created an “Abigail Child Collection” which will preserve and exhibit her films. Child’s books of poetry include Scatter Matrix, Mob (both Roof Books), and A Motive for Mayhem (Potes & Poets) and she has authored a recent collection of critical writings, This is Called Moving: A Critical Poetics of Film (University of Alabama Press, 2005). She is senior faculty at the School of Museum of Fine Arts, Boston and calls NYC home.

Michael D Snediker is the author of Queer Optimism: Lyric Personhood and Other Felicitous Persuasions (UMinnesota, 2009). His articles on American Literature, poetics, and queer theory have appeared in journals including ELH, Modernism/modernity, and Postmodern Culture. His poetry book, Nervous Pastoral, was published by dove|tail press in 2008, and his poetry chapbook, Bourdon, is forthcoming from White Rabbit Press. He currently is working on a project titled Contingent Figure: Aesthetic Disabling and the Long American Renaissance. He teaches at Queen’s University, in Kingston, ON.

Timothy Liu is the author of eight books of poems, most recently Polytheogamy and Bending the Mind Around the Dream’s Blown Fuse. He has also edited Word of Mouth: An Anthology of Gay American Poetry. His poems have been included in many anthologies and have appeared in such places as Best American Poetry, Bomb, Grand Street, The Nation, New American Writing, Paris Review, Virginia Quarterly Review and The Yale Review. His journals and papers are archived in the Berg Collection at the New York Public Library, and his poems have been translated into ten languages. Timothy Liu is an Associate Professor at William Paterson University and a member of the Core Faculty in Bennington College’s Graduate Writing Seminars; he lives in Manhattan.

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TENDENCIES: Poetics & Practice is curated by Tim Peterson (Trace). For additional information, visit the Tendencies website.

All events are co-sponsored by the Center for the Humanities, CLAGS (the Center for Lesbian and Gay Studies), The Graduate Center PhD Program in English, and the GC Poetics Group.

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