The fall 2011 series continues with talks by:
Joy Ladin
Sarah Dowling
Tony Leuzzi
…followed by a discussion/Q&A session.
on Thursday, October 20
at 7 PM
free admission
at CUNY Graduate Center
(in the Skylight Room, 9100)
365 Fifth Avenue, NYC
Joy Ladin, David and Ruth Gottesman Professor of English at Stern College of Yeshiva University, is the author of Soldering the Abyss: Emily Dickinson and Modern American Poetry (VDM), five books of poetry, including Coming to Life (winner of a 2010 Forward Fives award) and Transmigration (a 2009 Lambda Literary Award finalist). A new collection, The Definition of Joy, is due out from Sheep Meadow in spring 2012; her autobiographical reflections on gender transition, Through the Door of Life: A Jewish Journey Between Genders, will be published by University of Wisconsin Press around the same time. Her poetry, her criticism, and her essays on gender identity have been widely published.
Sarah Dowling is the author of Security Posture, which was recipient of the Robert Kroetsch Award for Innovative Poetry (2009). A Ph.D. candidate at the University of Pennsylvania, Sarah has published critical essays in GLQ and Canadian Literature. Her poetry has appeared in EOAGH, P-Queue, and West Coast Line, and is included in the anthology I’ll Drown My Book: Conceptual Writing by Women. Sarah curates the Emergency Reading Series, and is international editor at Jacket2.
Tony Leuzzi lives in Rochester, NY, where he teaches literature and composition. He is the author three books of poems: Tongue-Tied and Singing (Foothills, 2004); Radiant Losses (New Sins press 2010); and Fake Book (forthcoming in Fall 2011 from Anything Anymore Anywhere). His poems and prose have seen print in a number of small press, academic, and literary journals, including Perigree, Sentence, EOAGH, Jacket, The Kenyon Review, and others. In Fall 2012, BOA Editions will release his book of interviews with twenty American poets.
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TENDENCIES: Poetics & Practice is curated by Tim Peterson (Trace). This event is co-sponsored by the Center for the Humanities, the Center for Lesbian and Gay Studies (CLAGS), the Ph.D. Program in English, and the GC Poetics Group







